BROWN Art Supply Pigment Database Watercolor Acrylic Ink Pencil Color Chart Swatch
Artist reference guide to Brown pigments in art supplies. Color chart swatch cards of common pigments in watercolor, acrylic paint, inks and pencils. Includes lightfast or fugitive information, index by pigment number code, brand, manufacturer color name, how the color appears in masstone (full strength) or diluted (with water). Each image displays opacity, lifting (erasing with a damp brush), and layering (glazing a second coat after the first has dried).
PBr6 , PBr7 , PBr8 , PBr9 , PBr11 , PBr23 , PBr24 , PBr25 , PBr33 , PBr41
Natural, antiquity, mineral or unique brown pigments: Bronzite Genuine , Burnt Bronzite Genuine , Hematite Genuine , Minnesota Pipestone , Piemontite Genuine , Sicklerite Genuine , Tigers Eye Genuine , Yavapai Genuine
PBr6 Iron Oxide Hydroxide Brown
Lightfast, granulating and varying degrees of sedimentary trace minerals (flecks of black or deep brown particles) with additional color separation in wet washes. PBr6 is overall uncommon as a pigment choice compared to similar earth browns (PBr7). I have experienced moderate to severe wet to dry shift (becomes pale and desaturated) with PBr6 pigments which makes it difficult to anticipate how your art will look once dry.
Lightfast. Common. This pigment number describes brown earth that is capable of being incredibly variable colors. Each source of iron oxide from around the world may contain trace minerals that alter the hue from yellow, brown, red to near-black. RECOMMENDED PIGMENT:
The deep warm dark brown version called "Burnt Umber"
is on my palette list
. It's a helpful brown for everything from portraits spanning dark to light skin tones, botanical branches/trees, landscapes and mixing your own black or warm/cool shadow colors with Ultramarine Blue PB29. Be aware that some companies substitute PR101 mixed with PBk7/Black pigments to mimic Burnt Umber, which does not have the same gentle granulation and can be more staining than the PBr7 version.
Rare pigment. Pale, similar to raw umber with less granulation and more color separation.
PBr9 Copper Ferrocyanide
Rare. Grumbacher and Blick (store brand) are the same paints rebranded. Very gritty, sandy, unpleasant texture similar to dirt.
A highly granulating red-brown similar to terra cotta clay in color. This lightfast pigment separates out from any color you mix it with. Ideal for use in textural landscapes and purposefully color-separating effect mixtures. I have only seen this pigment offered by Daniel Smith and Roman Szmal, but you may also be interested in PY119 Magnesium Brown by Winsor and Newton
which is a slightly more fine particle and just a touch more yellow. It performs similarly in mixtures, but PY119 is less dominating with a more subtle texture. You may see some brands label colors that are very opaque in masstone as transparent or semi transparent. This appears to be due to the fact that you can see through the cracks of sediment in these types of harshly granulating colors in wet washes. Some granulating colors flake into tiny chunks (diluting clear) with no underlying or staining color (such as PBk11 Lunar Black). I will put notes on the cards when my experience differs from manufacturer ratings, since you should go into this knowing it's not a transparent layering/glazing color.
Lightfast. Oddly, Sennelier has four mixtures containing PBr23, yet does not offer it as a single pigment watercolor.
PBr24 Chrome Antimony Titanate
Lightfast, opaque warm brown, leaning slightly towards red than the similar pigment "Yellow Ochre" (see PY42). Some artists use this color in landscapes, but the gouache versions are also very helpful for highlights on animal fur. Color range and opacity varies by brand.
PBr25 Benzimidazolone Brown
Made by just a few manufacturers worldwide, PBr25 is a staining rich brown that can vary between reddish (similar to perylene maroon) to cool brown (like burnt umber but without granulation). Goes under several names such as Permanent brown, Imidazolone Brown, Wood, Polish Brown and Brown Madder depending on the brand. I have found it in the catalogs of Daniel Smith, Holbein, Renesans and Art Philosophy (Prima). Lightfast.
Holbein's Greenish Yellow is a very good pigment recipe for replicating PY129 Green Gold.
PBr33 Zinc Iron Chromite Brown
A rare lightfast earth brown offered only by Schmincke Horadam, which they call "Mahogany Brown". This color used to be a deeper cool brown, but around 2016 their older manufacturer discontinued making it and the new pigment supplier had a warmer brown instead. Both versions are actively granulating with minor color separation in wet washes. Particularly useful for animal fur, landscapes and creating color separating combinations (such as the limited edition colors shown in mixtures below).
PBr41 Disazo Condensation Brown:
This brown mineral is rarely used in paint making and only offered by Daniel Smith. It has a weak masstone and can be slightly difficult to re-wet from dry. There is a subtle sparkle effect, similar to coarse pearl mica PW20.
Burnt Bronzite Genuine:
Lightfast mineral pigment. Daniel Smith offers this pigment in watercolor and it is otherwise rarely used in paint making.
Daniel Smith offers three colors of this mineral, all of which are lightfast, extremely granulating and have varying degrees of color separation. Hematite
is a near-black pigment with subtle dark brown color separation displayed in wet washes. Hematite Violet
is a dark brown-black with subtle red-brown separation. Hematite Burnt Scarlet
is much more brown than black compared to the other versions and has a brighter orange-brown color separation in wet washes. All are very helpful colors to use in landscape and animal (fur texture) paintings. These minerals fall within the brown section of Daniel Smith's color chart, which seems accurate as even the darkest valued one (Hematite Genuine) is still quite warm leaning for a near-black.
A rare mineral.
A rare mineral.
A rare mineral.
Tigers Eye Genuine: This lightfast, granulating brown is made from a natural mineral rarely used in paint making. It can be hard to rewet, requiring extra scrubbing when dried in a pan. Tigers Eye Genuine is capable of subtle color separation, it has a lighter pale brown element that separates out from speckles of darker brown in wet washes. When dried in a pan these different colors can separate out into sedimentary layers, like shells of varying browns. This can result in getting a different color each time you scrub a dry layer with a wet brush.
Below you can see that the heat treated variant, "Burnt Tigers Eye Genuine" is very dark. Some layers of standard "Tigers Eye Genuine" can also appear very dark, but when used fresh from the tube this paint normally appears to be a notably lighter brown than the burnt version:
Natural Red Iron Oxide mineral made from Arizona rocks. Lightfast, minorly granulating. Not particularly unique or useful compared to easier to find or more affordable earth browns.
Swatch card template
available for download here
, or get the rubber stamp here
. Swatch cards were painted on Legion Black or Arches Cold Press 100% cotton watercolor paper. Paper and brushes are available at Jackson's or Amazon here:
Where to buy art supplies shown on this page:
The following affiliate links are to places I have purchased my art materials. When available I'll include multiple reputable stores so you can compare and decide where you'd like to shop. Dick Blick ("DB" links below) is a large art supply chain store here in the USA that ships worldwide. Jackson's ("Jack" links below) is a great UK based art supply store which also ships worldwide, but carries some harder to find European products with quick low cost shipping to the USA. Amazon USA ("Ama" links below) often offers unique brands, including small business and Chinese off brand watercolor sets, that can not be found anywhere else. As an Amazon associate, I earn from qualifying purchases.
Arches 100% cotton cold press 140# watercolor paper is one of the most durable surfaces for technical pen, scrubbing and lifting. It's surface sizing (coating) and texture is a good middle ground compared to the extremes of different brands. Due to these traits, and it being around for long enough to be the most commonly recommended paper for professionals, all of my swatches are done on this paper for consistency. Only white (and mica paints that do not show up on white) use the Legion Black paper instead. I buy my arches paper at Blick, and if you are in the USA this is likely the most affordable place to buy it: https://shrsl.com/2765w
Alpha by brand shopping directory:
Daniel Smith watercolors -- available on DB
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